01Maison Ardent · Fragrance
A launch campaign in three days
The team replaced a two week studio shoot with 240 product pictures made in Kinema.
campaign pictures in three days
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Text to imageKinema 3The everyday model. Sharp, fast and true to the prompt.2K · 4 s · 1 credit
Text to imageKinema 3 UltraMaximum detail for print, billboards and film frames.8K · 9 s · 4 credits
Image to videoKinema MotionTurn a picture or a prompt into a ten second shot.4K · 24 fps · 40 s · 10 credits
Edit and upscaleKinema EditChange one thing and leave the rest alone.Up to 8K · 3 s · 1 credit
prompt › A dark green sports coupe on wet asphalt at dusk, tail lights glowing, low wide angle, cinematicKinema 3 · 16:9 · seed 48213 · 4.2 sOpen in the galleryKinema
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Customers
Campaigns, configurators, film pitches and magazines, made by teams who stopped waiting for the shoot.


Kinema 3 · 16:9 · seed 90417 · 3.8 s01Maison Ardent · Fragrance
The team replaced a two week studio shoot with 240 product pictures made in Kinema.
240campaign pictures in three days
Read the story

Kinema 3 · 16:9 · seed 48213 · 4.2 s02Northwind Motors · Automotive
A configurator with 1,900 pictures of one car, made without moving the car.
1,900configurator pictures from one model
Read the story

Kinema 3 · 16:9 · seed 42096 · 4.6 s03Halcyon Films · Film
A director pitched a feature with 60 moving frames instead of a slide deck.
60moving frames in the pitch
Read the story

Kinema 3 Ultra · 16:9 · seed 17760 · 5.1 s04Fieldnote Travel · Travel
A small team now ships a full visual story for a new place every week.
52destination stories a year
Read the storyCustomers
Campaigns, configurators, film pitches and magazines, made by teams who stopped waiting for the shoot.


Kinema 3 · 16:9 · seed 90417 · 3.8 s01Maison Ardent · Fragrance
The team replaced a two week studio shoot with 240 product pictures made in Kinema.
240campaign pictures in three days
Read the story

Kinema 3 · 16:9 · seed 48213 · 4.2 s02Northwind Motors · Automotive
A configurator with 1,900 pictures of one car, made without moving the car.
1,900configurator pictures from one model
Read the story

Kinema 3 · 16:9 · seed 42096 · 4.6 s03Halcyon Films · Film
A director pitched a feature with 60 moving frames instead of a slide deck.
60moving frames in the pitch
Read the story

Kinema 3 Ultra · 16:9 · seed 17760 · 5.1 s04Fieldnote Travel · Travel
A small team now ships a full visual story for a new place every week.
52destination stories a year
Read the storyCustomers
Campaigns, configurators, film pitches and magazines, made by teams who stopped waiting for the shoot.


Kinema 3 · 16:9 · seed 90417 · 3.8 s01Maison Ardent · Fragrance
The team replaced a two week studio shoot with 240 product pictures made in Kinema.
240campaign pictures in three days
Read the story

Kinema 3 · 16:9 · seed 48213 · 4.2 s02Northwind Motors · Automotive
A configurator with 1,900 pictures of one car, made without moving the car.
1,900configurator pictures from one model
Read the story

Kinema 3 · 16:9 · seed 42096 · 4.6 s03Halcyon Films · Film
A director pitched a feature with 60 moving frames instead of a slide deck.
60moving frames in the pitch
Read the story

Kinema 3 Ultra · 16:9 · seed 17760 · 5.1 s04Fieldnote Travel · Travel
A small team now ships a full visual story for a new place every week.
52destination stories a year
Read the story10 — Customers
Every picture on these cards was made by the customer who is talking.
01 / 05
PromptAn amber perfume bottle glowing on black, single back lightKinema 3 · 4:5 · seed 38805 · 3.5 sIt is the first tool where the picture in my head and the picture on the screen are the same picture.
Inès LaurentCreative Director · Maison Ardent
PromptA dark green sports coupe on wet asphalt at dusk, tail lights glowing, low wide angle, cinematicKinema 3 · 16:9 · seed 48213 · 4.2 sWe stopped booking studios for anything that is not the hero film.
Daniel OseiHead of Digital · Northwind Motors
PromptA red armchair on a sea cliff at sunset, fog over the water, film stillKinema 3 · 16:9 · seed 42096 · 4.6 sMotion understands a camera. A push in is a push in, not a zoom.
Kenji MoriDirector · Halcyon Films
PromptMacro of a cream suede sneaker heel with a neon lime pull tab, soft studio lightKinema 3 · 1:1 · seed 31144 · 3.4 sFifty ad variants used to be a quarter of work. Now it is a Tuesday morning.
Priya NairGrowth Lead · Brightline
PromptA calm architectural lounge with plaster walls, a low sofa and a garden behind tall glassKinema 3 Ultra · 16:9 · seed 55307 · 5.0 sClients sign faster when they can see the room at sunset in the first meeting.
Tomas BergPartner · Berg & Lind Architects
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10 — Customers
Every picture on these cards was made by the customer who is talking.
01 / 05
PromptAn amber perfume bottle glowing on black, single back lightKinema 3 · 4:5 · seed 38805 · 3.5 sIt is the first tool where the picture in my head and the picture on the screen are the same picture.
Inès LaurentCreative Director · Maison Ardent
PromptA dark green sports coupe on wet asphalt at dusk, tail lights glowing, low wide angle, cinematicKinema 3 · 16:9 · seed 48213 · 4.2 sWe stopped booking studios for anything that is not the hero film.
Daniel OseiHead of Digital · Northwind Motors
PromptA red armchair on a sea cliff at sunset, fog over the water, film stillKinema 3 · 16:9 · seed 42096 · 4.6 sMotion understands a camera. A push in is a push in, not a zoom.
Kenji MoriDirector · Halcyon Films
PromptMacro of a cream suede sneaker heel with a neon lime pull tab, soft studio lightKinema 3 · 1:1 · seed 31144 · 3.4 sFifty ad variants used to be a quarter of work. Now it is a Tuesday morning.
Priya NairGrowth Lead · Brightline
PromptA calm architectural lounge with plaster walls, a low sofa and a garden behind tall glassKinema 3 Ultra · 16:9 · seed 55307 · 5.0 sClients sign faster when they can see the room at sunset in the first meeting.
Tomas BergPartner · Berg & Lind Architects
Drag or use the arrow keys
10 — Customers
Every picture on these cards was made by the customer who is talking.
01 / 05
PromptAn amber perfume bottle glowing on black, single back lightKinema 3 · 4:5 · seed 38805 · 3.5 sIt is the first tool where the picture in my head and the picture on the screen are the same picture.
Inès LaurentCreative Director · Maison Ardent
PromptA dark green sports coupe on wet asphalt at dusk, tail lights glowing, low wide angle, cinematicKinema 3 · 16:9 · seed 48213 · 4.2 sWe stopped booking studios for anything that is not the hero film.
Daniel OseiHead of Digital · Northwind Motors
PromptA red armchair on a sea cliff at sunset, fog over the water, film stillKinema 3 · 16:9 · seed 42096 · 4.6 sMotion understands a camera. A push in is a push in, not a zoom.
Kenji MoriDirector · Halcyon Films
PromptMacro of a cream suede sneaker heel with a neon lime pull tab, soft studio lightKinema 3 · 1:1 · seed 31144 · 3.4 sFifty ad variants used to be a quarter of work. Now it is a Tuesday morning.
Priya NairGrowth Lead · Brightline
PromptA calm architectural lounge with plaster walls, a low sofa and a garden behind tall glassKinema 3 Ultra · 16:9 · seed 55307 · 5.0 sClients sign faster when they can see the room at sunset in the first meeting.
Tomas BergPartner · Berg & Lind Architects
Drag or use the arrow keys

13 — Start
No card needed2.4M pictures a day · 4 s on average · used in 190 countries
Dusk coupeKinema 3 · 16:9 · seed 48213

13 — Start
No card needed2.4M pictures a day · 4 s on average · used in 190 countries
Dusk coupeKinema 3 · 16:9 · seed 48213

13 — Start
No card needed2.4M pictures a day · 4 s on average · used in 190 countries
Dusk coupeKinema 3 · 16:9 · seed 48213